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The Kreayshawn complex: cultural appropriation as counter-cultural expression

October 17, 2012

Diplo’s the worst and Major Lazer is nasty.

harshbrowns

Kreayshawn is a white girl rapper from Oakland, California who sloppily slings misogynistic, hedonistic rhymes and whose crew “White Girl Mob” throws about the n-word for extra charm. This post isn’t specifically about her, but more generally about cultural appropriation and racial fetishism, mostly in relation to hip hop. I’ve been motivated to write on the subjects from my experience in various white-centric social circles where countercultural identity and politics seem not to counter these unacknowledged racisms but rather to embrace them as forms of transgression.

Last year Romy Hoffman (aka Macromantics), white hip hop-esque performer and Grouse queer party promoter, created an exhibition called “Blacklustre”. Fetishising race and struggle, the show was promoted with the tagline “Black is better than white. Huey Newton is better than Isaac Newton. Tu Pac Man is better than Pac Man.” along with the trivialising image of Pac Man in a bandana…

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